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M b v is hardly a repetition of past success at times it’s both darker and more aggressive than its predecessor-the building drum loop throughout the eighth track, “nothing is”, could surly be the soundtrack to every nightmare I’ve ever had I mean that in the best possible way). This attention to detail provides listeners with a tighter, more refined sound than Loveless. Each layer of dense guitar fuzz, subtle vocals and droning drum patterns fits snuggly into the final mix-all having been meticulously chosen by Kevin Shields over a span of twenty or so years. Similar to Brain Wilson’s obsessive project, Smile, before it, m b v showcases just how far an artist will go for perfection. With so much time in production, expectations were high-could it live up to its legendary predecessor? Well yes. After hardly any warning, m b v was released and, aside from a few server crashes, finally in the hands of its listeners. On a frigid February night, more than two decades after their seminal shoegaze LP Loveless, My Bloody Valentine gave music nerds and critics across the country a communal heart attack. It’s rare that I attend a show with Pitchfork snobs to my left and the aforementioned Buzzfeed betches to my right – but The Bones of What You Believe seems to have the power to unite people in just that way. She has both a degree in law as well as a masters in journalism and she even wrote an astute, spirited open letter in The Guardianto address the gross, misogynistic messages the band has received online and refused to accept anymore of it. But CHVRCHES’ lead singer Lauren Mayberry only adds to their appeal. It’s difficult for me dissociate bands from their personas, especially with many of them being so accessible through Twitter and whatnot – having a snotty band member or attitude on stage can kill a band in my mind. After listening to “The Mother We Share”/unicorn running though the clouds gif-combo – I was hooked. Lucias, CHVRCHES is a wonderfully new sound I haven’t heard in a while.
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But with a year full of your MS MRs, Sky Ferreiras and St.
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I’m finding it difficult to describe CHVRCHES’ sound – the first thing that comes to mind is the mammoth production of M83 with wispy yet strong female vocals and a dash of ‘80s synth. Not my proudest moment, but in hindsight I can’t think of a more appropriate platform to discover a band who released their first EP in March, sold out the Paradise in June, released an album in September and packed the House of Blues and other venues across the world by October. CHVRCHES - THE BONES OF WHAT YOU BELIEVEĬonfession: I first heard CHVRCHES in a Buzzfeed post titled “23 Perfectly Paired Songs And GIFs”.
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The world out there is cold and unloving, but right now there is only love and happiness, and everything’s good.ĩ. Acid Rap is named so because just as it has the capacity for triply, technicolor fun, it likewise opens the doors of perception, like realizing that sharing love is better than the effects of any drug on “Interlude (That’s Love),” or discovering self-worth on “Everybody’s Something,” or simply understanding that life is good and getting better on “Everything’s Good (Good Ass Outro).” Listening to Acid Rap feels like being in a warm room with friends with a storm blowing outside. This sounds overblown, but it’s really not an exaggeration. And like a psychedelic trip gone philosophical, there emerges a depth and sincerity in Acid Rap that evokes feelings of melancholy, joy, and a realization of all that can be good in such a dark and scary world. Then you listen to it again, this time paying attention to the lyrics, to the stories, to what’s really going on. You think Acid Rap is just a fun, laid-back mixtape of anthems to party to.
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On the first listen, you hear the old school, Xanax-soaked jams and Chance’s raspy, carefree flow as you duet with the Chicago rapper “This part right here, right now/ Right here, this part my shit!” You nod your head, you tap your toes. Acid Rap is an album you hear for the first time twice.